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1/12/2006

We don’t get a lot of email here at Degenerate Press. Even our subscribers are too damn lazy to put fingers to keys and say “good job” or “Man, that review sucked donkey dick. Get an editor, you slacker!”
So on the rare occasion when we get correspondence it’s always a joy, particularly when it is of the ranting sort, a perfect response for our ranting sort of broadcasts. I couldn’t resist sending this one out as soon as I could respond. Besides, I missed a few things for this weekend in the Prophesy section.

Here’s the foreshadowed email:

To whom it may concern,

Thanks for the VERY CRAPPY Review from our show with Mike Geier and Kingsized from August.

And Just to CORRECT you...Try getting someones name CORRECT next time! It's HAROLD "ELVIS" SCHULZ!!!

It's bad enough we KICKED BUTT and TOOK NAMES, but to Insult us like that is just plain STUPID and UNCALLED FOR!!!

And for the Record, I'm NOT an ELVIS IMPERSONATOR!! I'm a TRIBUTE ARTIST and LOOKALIKE!! YOUNG ELVIS!

We are Now under Contract with EPE and Graceland to do CORPORATE shows for them.

And if you think I have SOME of his Moves, you have NOT checked out the VIDEO Section of my website!

We get hired all over the COUNTRY to do YOUNG ELVIS ROCKABILLY shows...

What IS creepy is a guy like you, who hides behind a STUPID Ghost name so he can INSULT people!!

Good day to you sir!

Harold ELVIS Schulz
Blue Suede Entertainment
www.bluesuedeent.com

PS: I've heard from ALOT of people who saw that show that we UPSTAGED Kingsized because what we did was AUTHENTIC to a TEE!! SHow me another band who even has our instrumentation, sound and feel in COUNTRY???

Just in December I was Flown to Palm Springs, CA to do a big show for the TOYOTA CORPORATION and for New Years did a show for HARRAHS Casino in Metropolis IL....


Editor’s response:
Mr. Shulz, I apologize for the name snafu. We don’t do a lot of fact-checking around here. OK, we don’t do ANY.
I remembered my review of your act as being fairly biting. Harsh yet truthful reporting is something I pride myself upon. I don’t pull any punches, even for my near and dear friends. I spent several years as an art student and learned how to give, and take, honest critiques without making it personal.
So I was a bit shocked when I went back and read the review that got your dander up:
http://www.degeneratepress.com/vault/elvis_death_day_2005/index.html
Christ, Hal, if you take this as an insult, I’m not sorry.
But I am a bit sorry for you. Apparently despite all your success, the occasional middle-of-the-road review on a random web page that can’t even get your name right hurts you deep down inside.
For the record, I’ll peel away my ghostly façade long enough to reveal my secret identity. These, and all Degenerate Press efforts not otherwise credited, are the work of Frederick Noble.

What gives me the right to shoot my mouth off? Who the hell do I think I am?
Paying the cover to see your show gives me the right. Heck, I could even go so far as to say you’re a performance artist. I was your audience for one of these performances. Even if you performed on the street corner for free and I was there, I have the right to critique what you put forth as your artistic efforts. I could even go all “first amendment” on you, but I don’t think you need it.
And who the hell do I think I am? I don’t have any formal training in music. I can’t read a note of it. I don’t even have any formal training in journalism (as if you couldn’t tell.) But I don’t think one needs to be trained to appreciate music (except jazz) and I don’t think one needs to be trained to write about it. As has been shown in thousands of blogs and other web pages around the world, all you need is internet access. And if the opinion of every unpaid unprofessional weenie who has nothing better to do than make a few brief comments on your artistic endeavor is going to get your gold lamé in a wad, maybe you need to consider another line of work.
I take a small bit of pride in my site. I’ve been around longer than any other local music review web page. I’ve outlived more local print publications than I can remember. I have a few hundred loyal subscribers and, without any advertising, or even covering hip-hop, the numbers continue to grow. I’m getting SOMEthing right, even if it’s just my ability to pay my monthly web hosting fees and sucker new people into thinking maybe some day I’ll write something worth reading.
So I’ve been around the block.
Show you another band that has your instrumentation? Does this band have to back an Elvis impersonator? Excuse me, “tribute artist”? Because I survived (and enjoyed) the swing and rockabilly revival right here in Atlanta. I’ve seen more stand-up bass players than I’ve seen tits. Stripped down drum kit and rockabilly guitar style? Crap, I heard more of that in a single weekend of Bubbapalooza than most people my age have seen in their lifetimes. So while I may be as formally untrained as Elvis himself when it comes to music, I have heard more than my fair share.

I will fix the name problem and slap in a link to your site, but I stand by my review.
I wish you luck with your Elvis and John Travolta tribute artistry and looks mastery. May your corporate clients bless you with the praise you deserve.
Frederick
 


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